I begun by painting small-scale wall murals as I perfectionated my style. During seven years murals were my principal work, having painted from company offices, to bars and restaurants at live events. I also collaborated with renamed brands such as Nike, Disney, Lacoste, and Absolut Vodka, Mercado Libre among others.
After seven years of working with my signature style, I decided it was time for change. I felt that the constraints in my own designs limited my creativity and no longer represented my point of view. I travelled to Europe and differents places from Latin america insearch of inspiration to develop a new and unique style of my own. I had to deconstruct myself and put the pieces back together,keeping the same essence and color palette, but deshaping the elements and freeing the mind. Back in my hometown of Buenos Aires the concept of abstraction was internalized in my lifestyle. I felt that I no longer had limits and that I could create my new system which was no longer rigid, but rather flexible and adaptable according to mystate of mind or environment. I gradually started unveiling my new style by learning out of trial and error. Today, I still find myself exploring it to make it eachtime more of my own.
After having dominated my new style I wanted to go back to Spain to present it on what would be my first international exhibition. Already with the airplane ticket, housing and a gallery confirmed, Buenos Aires went into full lockdown due to the pandemic. Covid and the strict quarantine made world stop, and so did the muralism work. This gave me six months to completely focus on perfectionating the abstract style. By June 2020 I was presenting my first personal exhibition 'Lego: the game, the ego and its pieces' through Instagram Live with more than 16 thousand views. The exhibition showed the process I went through to change my artistic style. It reflects my commitment to art and the ups and downs that I experienced during the confinement. Like a LEGO, I had to disassemble to reassemble the same pieces but with new shapes.
After having dominated my new style I wanted to go back to Spain to present it on what would be my first international exhibition. Already with the airplane ticket, housing and a gallery confirmed, Buenos Aires went into full lockdown due to the pandemic. Covid and the strict quarantine made world stop, and so did the muralism work. This gave me six months to completely focus on perfectionating the abstract style. By June 2020 I was presenting my first personal exhibition 'Lego: the game, the ego and its pieces' through Instagram Live with more than 16 thousand views. The exhibition showed the process I went through to change my artistic style. It reflects my commitment to art and the ups and downs that I experienced during the confinement. Like a LEGO, I had to disassemble to reassemble the same pieces but with new shapes.
Throughout this process I realized the importance of keeping my inner child in constant movement, nurturing my curiosity and getting out of my confort zone. This helped me create my own universe of elements that constitute my artwork. Many people often mistake nostalgia for longing. But for me, nostalgia is essential to my inspiration. My exploration found merevisiting moments, memories, colors and images of my childhood. An old cartoon, a piece of candy or a logo act as inspiration for my work. A Famous Uruguayan singer says: if you want something to die, leave it still. At the end of 2020 I started a new series 'The Curve' which represents this insight. A curve is dynamic: it brings movement and movement brings life. It is a reminder to keep learning, exploring and creating new elements for my work. 'The Curve'represents my new mindset. In April 2022, i presented my last exhibition: 'CO.INK' that seeks to create an allegory between advertising and art, my two passions. In August 2023, he held his third individual show 'I'm Chori' at the Chashama gallery (Manhattan, New York) The rethoric question was: we are going to eat the world or feel sorry for it? ... or both?
